QUESTSTORIES
THE QUESTORS NEW PLAYS FESTIVAL
5th FESTIVAL 1964
IS THE HOUSE SHUT?


IS THE HOUSE SHUT?
by Dannie Abse

Directed by Ronald Wilson
Cast:
Martin Bowley, Barry Clark, Noel Collins, Ralph Cottrell, Joan Evans, David Gower, Estelle Hampton, Peter Healy, Gillian Hoare, Jane Hodlin, Robin Ingram, Larry Irvin, Mary Jones, Monyene Kane, Sandra Mantella, Bill Rudderham, Peter Sharp, David Stride, John Tully, Sandra Turner, John Turner

THE AUTHOR

Dannie Abse (1923–2014) was a Welsh poet, novelist, playwright and physician. Born into a Jewish family in Cardiff, he practised medicine for more than thirty years while establishing himself as one of Britain’s most admired contemporary poets. 

Abse was a regular contributor to the New Plays Festival and a close friend of The Questors, which presented The House of Cowards (1960), Gone and The Joker (1962), Is the House Shut? (1964), The Dogs of Pavlov (1969) and Funland (1975). 

The House of Cowards won the Charles Henry Foyle Award, while the publication of Three Questors Plays in 1967 reflected Abse’s particularly close association with the theatre. 

The Questors later revived Gone in 1983 and presented Three Masks of “O” in 1997.

  • Alfred Emmet's Foreword to three of Dannie Abse's plays published in 1967
  • Dannie Abse on Wiklipedia
  • Dannie Abse Obituary (The Guardian)

  • THE PLAY

    The action of Dannie Abse's play takes place in enemy occupied country, a situation that breeds violence. Some people fear violence, some are fascinated by it, some are repelled by it, some glory in it, while some when faced with its reality find a strangely ambivalent attitude combining all these reactions simultaneously. The effects of violence on the individual is the theme of this powerful drama. The central incidents are based upon a story of Balzac, but the particular haunting quality which makes this play so memorable is Dannie Abse's own.

    PRESS RESPONSE
    Amateur Stage praised Is The house Shut? as an ambitious work with a powerful central idea, but criticised the play's construction and suggested that its frequent use of heightened, poetic language weakened rather than strengthened its dramatic impact. The result was seen as a thoughtful but uneven piece whose literary aspirations sometimes impeded its effectiveness on stage.

  • Amateur Stage

  • QUESTORS ARCHIVES
    IS THE HOUSE SHUT?