QUESTSTORIES
THE QUESTORS NEW PLAYS FESTIVAL
6th FESTIVAL 1965
HOW I ASSUMED THE ROLE OF THE POPULAR DANDY...


HOW I ASSUMED THE ROLE OF THE POPULAR DANDY: FOR THE PURPOSES OF SEDUCTION AND OTHER BASE MATTERS
by Derek Marlowe
Directed by Alan Clarke
Cast:
Tony Barber, Gerard Duveen, Ned Gethings, David Gower, Mary Hodlin, Paul Imbusch, Gillian Kerswell, Wyllie Longmore, Ivan Pinfield, Edward Pitt, Dorothy Boyd Taylor, Harold Thornley, Geoffrey Turner, Charles Wrighton

THE AUTHOR

Derek Marlowe made his stage debut in 1959 in the Questors Student Group Production of THE SKIN OF OUR TEETH. 

He was already a budding playwright and novelist and in 1964 he joined the Berlin Literary Colloquium event organised by James Saunders, in which he and other Questors members took part in Tom Stoppard's early one-act version of ROSENCRANTZ AND GUILDENSTERN ARE DEAD. He died in 1999.


  • The Questors visit to Berlin, 1964

  • DEREK MARLOWE ON WIKIPEDIA

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    THE PLAY

    This play is, in the author's own words, an attempt to portray the intangible schitzophrenia of one man. Basically a comedy with some elements of Theatre of Cruelty, the main idea was conceived after reading the biographies of Aly Khan and Beau Brummell in one afternoon.

    THE DIRECTOR

    The television and film director Alan Clarke, who died in 1990, is best remembered for his gritty portrayal of the British working class in films like SCUM (1979) and RITA, SUE AND BOB TOO!(1987) and for his many key drama productions for BBC and ITV. 

    But we remember him best for his contributions to the life of our theatre between 1962 and 1966. These were crucial years for The Questors, and Alfred Emmet recalled long and stimulating discussions with Alan about where the theatre in general, and The Questors in particular, was going or should go.

  • In Fond Memory of Alan Clarke (including a list of his Questors productions)
  • PRESS RESPONSE
    Derek Marlowe's exploration of schizophrenia and divided identity impressed reviewers with its originality, verbal brilliance and theatrical imagination, but most felt its style overwhelmed its substance. Critics admired the ingenuity of Alan Clarke's production and particularly praised the performances of David Gower and Paul Imbusch. While recognising Marlowe as a gifted and adventurous writer, reviewers generally concluded that the play relied too heavily on fashionable theatrical devices and dazzling wordplay, leaving its treatment of mental illness intellectually intriguing but emotionally remote.

  • Amateur Stage
  • The Middlesex County Times
  • The Thames Valley Review

  • QUESTORS ARCHIVES
    HOW I ASSMED THE ROLE OF THE POPULAR DANDY...