QUESTSTORIES
THE QUESTORS NEW PLAYS FESTIVAL
2nd Festival 1961
THE SOUTH AFRICAN


THE SOUTH AFRICAN
by T.R.Sharpe

Directed by Ken Connington, assisted by Barbara Hutchins
Cast:
Neville Bradbury, Alan Chambers, Derek Chandler, Ken Connington, Vernon Estick, David Evans, Tony Graeme, Barbara Hutchins, Edward Pitt, Ffrangcon Price

THE AUTHOR

Tom Sharpe was born in 1928 and educated at Lancing College and Pembroke College, Cambridge. He did his national service in the Marines before moving to South Africa in 1951, where he did social work before teaching in Natal. He had a photographic studio in Pietermaritzburg from 1957 until 1961, and from 1963 to 1972 he was a lecturer in History at the Cambridge College of Arts and Technology.

He is the author of sixteen best selling novels, including Porterhouse Blue and Blott on the Landscape, which were serialised on television, and Wilt, which was made into a film. 

Tom Sharpe died in June 2013 at his home in northern Spain.
Tom Sharpe as a 
photographer
in South Africa
 ca 1960

THE PLAY


The Questors premiere of the Tom Sharpe play THE SOUTH AFRICAN caused something of a stir in South Africa. 

A clipping from the Natal Daily News dated 4 May 1961 described it as, "a powerful three-act play with South Africa as its background and apartheid as its theme ... honest, sensitive and dramatic, and in its final curtain, almost unendurably poignant.

But another South African newspaper ran the following story:

Ssh! It's a play about apartheid.
Extraordinary precautions and security measures are being taken in London this week at the The Questors Theatre ... [The play's] author, Tom Sharpe, of Maritzburg, is a mystified and a very angry young man... He was astonished to find that in the advance publicity he had been given a pseudonym ("Jim Latan" - Natal spelt backwards), with the cryptic explanation in print, "Jim Latan is a British South African for many years resident in Natal. Without wishing to over-dramatise the situation, we feel that it would be unwise to publish his real name or any information that might lead to his being identified." "Rot,' said Tom Sharpe and sent an airmail demanding forthwith that his own name be used."

Nonetheless this play (the only one of his to get produced) was enough to get him deported from South Africa after several days in a Port Elizabeth cell.
  • The full Questopics Article

  • PRESS REACTION

    Reviewers respected the play's courageous attack on apartheid but agreed that its dramatic qualities fell short of its intentions. The Stage commended T. R. Sharpe's moral purpose and the commitment of Ken Connington's production, while judging the play "a mere skeleton" whose characters never fully came to life. Although powerful in message, critics generally felt that its theatrical impact was weakened by an overly schematic treatment of its subject. 

  • The Amateur Stage
  • The Middlesex County Times
  • The Stage and Television Today